Abschlussarbeit, Theorie

The Basso Continuo as an idiomatic compositional tool in French Music during the 17th and 18th centuries

2017

Creator Guilherme dos Santos Barroso

Department ZHdK, MA Music Performance, Zürich, CH

ZHdK, Departement Musik, DMU, Zürich, CH (gegründet 1999)

MediumPrint, Broschüre (EN)

DimensionsFormat: 29.7 × 21 cm, 22 Seiten

Titles

UntertitelAn analysis of an "Allemande" from Robert de Visée`s D minor Baroque Guitar Suite (1686)

StudienarbeitMaster of Arts ZFH in Music Performance mit Vertiefung instrumental/vokal Performance, Schwerpunkt Konzert

DescriptionThis thesis aims to analyse an Allemande from a baroque guitar suite from Robert de Visées, in order to demonstrate how the Basso Continuo was paramount not only as an accompaniment technique but also as a compositional technique.

Object numberLLA-2017-C25-001

DepartmentArchiv ZHdK

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Credit LineZürcher Hochschule der Künste, ZHdK / Archiv